Abstract
Jewellery found during recent excavations in the necropolis of Thasos fills a gap in our knowledge of minor arts in an important metal producing area of the Greek world. The pieces examined in this article form, in terms of technique, style and iconography, a group, the affinities of which can be traced to the Ionic traditions of the northern Aegean. Their artistic identity fits well with what we know about the character and development of other aspects of Thasian art, characterized by a close adherence to dominant artistic trends coming from both Attica and the East during the late Classical period. The anthropological study of the skeletal remains from the tombs gives further contextual information on the general condition of the people interred, while the objects deposited offer clues to the interpretation of issues concerning the iconography and symbolic use of precious grave goods.